Collection Lambert
en Avignon
5 rue Violette
84 000 Avignon
Open every day
Except Monday from 11am to 6pm.
July-August, open every day
From 11am to 7pm.
> 2016
THE SLEEPWORKER Deux jeunes artistes au chômage 08 oct. 2016 A Summer at the Collection Lambert Au Coeur — Amos Gitaï — Andres Serrano 03 july > 06 nov. 2016 TO THE HEART Landscapes of Childhood 03 july > 06 nov. 2016 ANDRES SERRANO Torture 03 july > 25 sep. 2016 new exhibition 03 july > 06 nov. 2016 AMOS GITAÏ CHRONICLE OF AN ASSASSINATION FORETOLD 03 july > 06 nov. 2016 From Warhol to Basquiat The Masterpieces of the Lambert collection, Musée de Vence 20 feb. > 22 may 2016
> 2015
Andres Serrano, Ainsi soit-il + A new look on the Lambert Collection 20 dec. 2015 > 12 june 2016 Adel Addessemed Jalousies, Complicités avec Jean Nouvel 02 oct. 2015 > 17 jan. 2016 New exhibition 11 july > 18 oct. 2015 Patrice Chéreau, An Imaginary Museum From David, Géricault, Goya, de La Tour to Bacon, Picasso, Richter... 11 july > 18 oct. 2015 Andres Serrano, Ainsi soit-il Extramural program, Vence 22 mar. > 30 aug. 2015
> 2014
LAST DAYS Come to visit the show 21 nov. > 25 nov. 2014 Andres Serrano Palais Fesch, Ajaccio 27 june > 29 sep. 2014 The Disappearance of the fireflies Prison Sainte Anne, 55 rue de la Banasterie, Avignon 18 may > 25 nov. 2014
> 2013
Les Papesses Louise Bourgeois, Camille Claudel, Berlinde de Bruyckere, Kiki Smith, Jana Sterbak 09 june > 11 nov. 2013
> 2012
Oriental Mirages, Pomegranates and Prickly Pears Mediterranean Comings and goings 09 dec. 2012 > 28 apr. 2013 The masterpieces of the Yvon Lambert donation 07 july > 11 nov. 2012
> 2011
Lawrence Weiner - Vik Muniz 11 dec. 2011 > 17 june 2012 Le temps retrouvé Cy Twombly photographe et artistes invités 12 june > 20 nov. 2011
> 2010
I Believe in Miracles 10 years at the Collection Lambert 12 dec. 2010 > 08 may 2011 Miquel Barcelo Terramare 27 june > 07 nov. 2010
> 2009
Sans-Titre #1 Works of the Collection Lambert, Paintings of 1970s-1980s 24 oct. 2009 > 31 jan. 2010 Roni Horn 21 june > 04 oct. 2009
> 2008
After Roma 14 dec. 2008 > 31 may 2009 Douglas Gordon Where Are the Keys? 06 july > 02 nov. 2008 Le Grand tour The Collection Lambert exhibited at the Villa Medicis in Rome 05 may > 15 june 2008 Candice Breitz Post Script 10 feb. > 18 may 2008
> 2007
I don't kiss 27 oct. 2007 > 20 jan. 2008 Cy Twombly Blooming, A Scattering of Blossoms and other Things 05 june > 14 oct. 2007 Let Us Render to Cézanne... 18 mar. > 20 may 2007
> 2006
Andres Serrano La part maudite 18 nov. 2006 > 11 feb. 2007 Figures de l'acteur The Actor's Paradox 08 july > 15 oct. 2006
> 2005
5 ans The Collection Lambert en Avignon 25 june 2005 > 30 may 2006 Theorema A private collection in Italy 05 feb. > 29 may 2005
> 2004
Sol LeWitt / Christian Marclay 30 oct. 2004 > 16 jan. 2005 Eijanaika! Yes Future! Post-20th century Japan 10 july > 10 oct. 2004 À Fripon Fripon et demi Pour une école buissonnière 21 feb. > 06 june 2004
> 2003
Salla Tykkä Happy days 25 oct. 2003 > 25 jan. 2004 Francis Alÿs The Prophet and the Fly 25 oct. 2003 > 25 jan. 2004 Coollustre 25 may > 28 sep. 2003 Rendez-Vous 4 25 jan. > 27 apr. 2003
> 2002
Photographier 01 june > 24 nov. 2002
> 2001
Rendez-Vous 3 16 dec. 2001 > 28 apr. 2002 Artists' Collections 01 july > 30 nov. 2001
> 2000
Rendez-Vous 2 01 dec. 2000 > 31 mar. 2001 Rendez-Vous 1 27 june > 01 oct. 2000
Exhibition
25 oct. 2003 > 25 jan. 2004

Salla Tykkä

Happy days

Films, videos and photographs

Finnish artist Salla Tykkä tells stories frontally, instinctively, even primally. Her films show complete mastery of the medium and powerfully use it to visualize the experience of young girls running, discovering things, and discovering themselves. Salla Tykkä’s fascinating films, videos and photographs also manage to convey psychological elements and a real sense of the body: a kind of breathless physicality.


Her film/video installations tell stories in which the artist makes the protagonist face unexpected encounters and conflicts and odd situations. In the first film of the CAVE trilogy, a girl called Lasso comes back home from a run and goes behind her house to see if there is anyone behind a big window. There she sees the fascinating spectacle of a bare-chested man dancing majestically with a lasso. Here it is the girl and not the boy who is the voyeur. Salla Tykkä’s girls come out of their secret rooms and their adolescent skins, becoming women as they do so. In the photographs and videos displayed at the Lambert Collection, these girls see and feel themselves as strong presences: they want to be seen and recognized.